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Red Moon Architect "Emptiness Weighs the Most" Review

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  Awash in synthesizer, reverby clean guitars, and vocals ranging from tender female-sung melodies to forceful, animalistic snarls, Red Moon Architect returns with a fuller and increasingly modern production style behind their sound.         The Finnish doomers that are the subject of this review have only popped up on my radar recently - maybe thanks to a new advertising budget with their new label Noble Demon? Whatever the case, after listening to Rise and especially One Shines Brighter off of this release, I thought it appropriate to go back and give some of their older material a listen. In brief, this record is both a deviation from their most recent music - Kuura, a decidedly blacker, funeral-doom release, was just last year - and a 'return to form'. Listen to one of the tracks from Fall, the band's sophomore effort, and hear the similarities. It's fair to say that these guys have managed to cover a lot of musical ground since their first full-length in 2012, and
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Prometheus "Resonant Echoes From Cosmos of Old" Review

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Just in time for spooky season, Greek Lovecraftian lecturers weave a dreadful tale as old as time and space.     Brace yourselves for something absolutely shocking: everything on this record has been done before, much in the way that any chord progressions in modern pop music have already been done before. But the real important question is, have all these elements and influences been packaged together in this way before? I think not, and this is what sets Prometheus apart from their peers in both the death metal and black metal spheres. After all, who else is bridging this astronomical gap between the two genres with such panache?     When you take either Resonant Echoes From Cosmos of Old or Consumed in Flames (the group’s first outing) at even a casual listen, both the death and black metal influences are obvious: a helping of Nile, a dash of Emperor, two pinches of Immortal, and deglaze the pan with some Morbid Angel. But it’s how all these elements are so harmoniously baked i
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Venom Prison "Primeval" Review

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The Welsh death metal giants attempt to reinvent the wheels on their sonic war machine.     Let’s just get this out of the way first: I have been absolutely thrilled with everything Venom Prison have put out thus far, and I’m going to try not to gush, but that being said, I’m also not going to promise anything because this group seems to knock it out of the park with every single release. Though their sound has matured through the years (hence this rerelease of newly recorded old material plus two new tracks) I have never found anything to dislike about the band’s direction, whether artistically or sonically. And I feel I can tell you, dear reader, that this compilation album is no exception.     My first exposure to the band came with their first full-length, Animus , which had a lot to say for a group so newly-formed (although still hot on the heels of two prior EPs). The album came screaming onto the scene with a very raw but well-articulated sound, the basis of what would make
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